Some conversations span centuries.
Leonardo began this one in Milan, in 1495. He painted thirteen figures around a table at the moment everything was about to change not as a record of an event, but as a study of the human face under the weight of belief.
We continued it in Anatolian walnut, by hand, in 2026. What stopped us while working on this piece was not the composition it was a passage from the Quran we returned to again and again. In Surah Al-Ma'idah, the disciples ask for a heavenly table to be sent down. Not out of hunger. The Tafsir is precise about this: they asked so that "their hearts may be filled with peace and certainty."
That is the same room Leonardo painted. The same table. The same fragile edge between doubt and surrender. The same hunger that has nothing to do with food.
We carved that edge into the wood. Every figure holds it differently in the angle of a shoulder, the tension of a hand, a gaze that hasn't decided yet. This is not devotional art. It is not décor. It is the record of a question that three traditions have been asking at the same table for five hundred years and have never fully answered.
Solid Anatolian walnut. Hand-carved. Available in two dimensions. Gallery-grade curation for private collections and architectural projects. Commissions open for custom sizes and timber selections.